Sunday, March 15, 2015

The Origins of Hip Hop: DJin' (or Turntablism)-Part One



Sources:
DJ Kool Herc's Wikipedia
Turntablism Wikipedia article
"Hip Hop Culture" written by Emmett George Price

The Intro

Djing or turntablism is rooted within the Hip Hop culture like a redwood tree is rooted into the earth. It is recognized as a modern art form that has played the most important role in the emergence of Hip Hop instrumentalism. You could also say that it was the first pillar that dared to hold up this new art form called Hip Hop like Atlas holds up the earth. It's remarkable how one spinning wheel aka record that's a direct descendant of the American invention called the phonograph (a Thomas Edison invention of 1877), can spark such a significant culture and genre of music.

The trio of DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash are credited as the founding fathers of this very important element among the "four core". Break-beat DJing is noticed as the foundation of this element, established by DJ Kool Herc. Once this was established, it gave rise to one of the greatest urban music genres in American history. There are many people that have tried to discredit it, many artists have openly voiced their opinion about Hip Hop not being music. That hasn't stopped it though, the consumers have turned Hip Hop into a cash crop and because it has been so successful; it being disputed as being music has virtually been silenced.



The Beginning of the DJ

On August 11th, 1973, a party was thrown in the recreational room at 1520 Sedgwick Avenue in the Bronx by DJ Kool Herc's sister. She got her brother to DJ and emcee it, where he showcased his skills on the turntables. He extended the break beats so that people could dance longer to their favorite songs. A "break" is the part of the song where all the instruments drop out except for the drums, hence being defined as break beats. DJ Kool Herc noticed these parts as being potent and innovated it in a way in which he called it "The Merry-Go-Round", he'd use two turntables and cued in the break beat on one record, then have the same record waiting on the other turntable to start after the other break beat ended. This technique was expanded upon, most notably by a DJ who called himself, Grandmaster Flash.





The Other Two Pioneers

In 1973, Afrika Bambaataa heard Kool Herc for the first time, which isn't surprising due to the fact that he was from the Bronx as well. I guess he heard all about it and wanted to go see what the fuss was all about. Whatever the reason was, it inspired Afrika Bambaataa to get his own sound system (in 1975) and to DJ in Kool Herc's style. When he became a DJ, he handed in his stars as the general of a well known gang in the Bronx, Black Spades and used his influence to convert his members into a non-violent group called Zulu Nation. His biggest impact came by forming the rules and gathering the most influential artists to his newly formed group. This got him the title of the Godfather of Hip Hop (Zulu Nation still continues to grow in membership).

1975 was also a year another pioneer of the turntables got started, Grandmaster Flash. He took DJ Kool Herc's style and expanded upon it, making the turntables Hip Hop's first executable instrument. DJ Kool Herc calls Grandmaster Flash "a hero", because of his well documented contributions. He became one of the first commercial faces of Hip Hop, selling out shows with the Furious Five. His career continued to flourish, working with Enjoy Records by the end of 1979 (helping to lead Hip Hop into the 80s where it kept climbing in popularity). It was Flash's protégé that discovered the technique, scratching by accident, Grand Wizzard Theodore. DJ Grand Mixer DXT furthered the scratching technique by using one or two turntables to make rhythmic scratches and set each turntable at different velocities to change the pitch of the scratch or the sound of the record.



The Conclusion

Well this part of DJing is done, still more to come on the subject. We have to talk about producing, and pioneers like DJ Premier, Pete Rock, and Rick Rubin will definitely make an appearance on this one. But when you look at it, without DJing, Hip Hop would not exist, namsayin'? So that is why this article was written, to shine a light on it's singular importance. Turntables is how Hip Hop was born, it was turntables that allowed for the creation of Hip Hop songs and it's genre and culture to arise out of the streets. Hopefully you all can take something away from the experience of reading this article, a better understanding of Hip Hop and it's culture and where it all came from. Fruity Loops had nothing to do with Hip Hop in the beginning, those programs made it easier and erased the use of turntables in Hip Hop, which to many is sad, because there the essence of Hip Hop was born.



 














Tuesday, March 3, 2015

The Origins of Hip Hop: Rappin'-Part One

The Sources:

-Krs-0ne.com
-Rapping (on Wikipedia)
-"Hip Hop Culture" written by Emmett George Price



The Origins of Hip Hop: Rappin'-Part One
 
 
 
 
The Intro
 
As previously talked about, these are the "four core" pillars; DJin', B-Boyin', Rappin', and Graffitin'. It is important to know that, because those are the first things that shaped the streets of NY and it's most heralded and fought after culture, Hip Hop. It is like the Holy land of the music world because everything is filtered through it. There isn't any genre that is out there that hasn't been given it's proper respect by being used within one of her arrangements. She has given artists past their prime a way to still make money, in a way, the mainstream should be bowing down to her. Artists that get forgotten can often be found by this sort of marketing that Hip Hop has stumbled upon.
 
You could even have an opinion that these artists owe Hip Hop and not the other way around (samplers have to give royalties to bits of songs often times, to the artist of the song's origin). Why else would Paul McCartney be one of the executive producers of Kanye's next album? He can see the money to be made, but somewhere in his core, he's got to see the genius that Hip Hop brings to the table. Maybe there are "some" that fear her and throw her into the unfed lion pit known as the mainstream, to make her a leftover scrap thrown away in the trash; we can smell her but can't taste her, hear her, or feel her anymore. Well Hip Hop is still around, and here at The Majic Show Blog, we're gonna tell it to you straight up, namsayin'?
 
That is why it is important to start with the elements, the "four core" elements to be more specific. I am going to start with rappin', why? Because everyone has dabbled in it, in some form or another (it is where my own personal journey can be credited to have first started) and it is the most important part, it is where the spirit of the streets is being told like a sermon. A good MC is like church, school, and a feel good party all in one. *Takes out his magnifying glass and looks over a map and chronological timeline that is rappin'* Alright, let's peep this element, this realm; known as rappin'.



 
Rappin'

Rappin' can be traced back to a time that predates the Hip Hop culture (according to the data, by centuries). It has also been used in other types of music, such as electronica and alternative rock. Rappin' can also be found in Kwaito music, Johannesburg, South Africa being the birthplace of this similar style of music. You can hear people rapping over a beat or a cappela, namsayin'?
 
Rappin' is basically words filtered through a chanted or spoken, with rhymes injected into them like a needle to the brain section (see what I did there?). That's just an example of some rappin' wordplay. Some people can't tell the difference between that and spoken word (poetry), it is simple, rappin' is a main ingredient of Hip Hop music. It also is a language within a language, one like no other. Spoken word is more like Maya Angelou over a beat, but this is about rappin', namsayin'?
 
If researched, you will find that this musical vocal type began in Africa, where it's roots are deeply spread throughout her soil. It is said that it started centuries before Hip Hop even existed. Rappin' started out much like Hip Hop, stories rhythmically spoken over drums and other instrumentation. They were referred to as "griots" and were from the West Africa region. Modern "griots" are said to be spoken word artists, as defined by "academia".


 
One must look at the blues and jazz music when looking over the "DNA strand" that became the child known as Hip Hop. Blues music was bred out of cotton field working songs and was also influenced by West African traditions with music (peep Robert Johnson). In the 1920s, a grammy-winning blues artist/historian, Elijah Wald claims that the blues started rappin' before Hip Hop. He called Hip Hop "the living blues".

Jazz, said to be developed out of influences from African-American and European musical traditions and the blues; is regarded as a big piece in influencing Hip Hop. Many of the break beats  that were sampled to make Hip Hop beats, came from jazz music (especially the aggressive snares). Jazz instruments are also often used in representing instrumentation in Hip Hop music. Jazz vocals and poetry are also a prime example of jazz's contribution as an influence.

James Brown had a huge impact on the personality of Hip Hop artists and credited as the inventor of funk (also a huge influence on Hip Hop and highly sampled). It could be said that the essence of the funk beat is the main influence to the Hip Hop beat. Besides jazz, blues, and funk (and other African heritage originated music), musical theatre can be said to have a bit of an influence due to their lyrical delivery in some of their songs (mainly because many can't sing, in theatre).



The Conclusion

All of these things are said to be game changers in our society that added to the arts and eventually helped create what is known as Old School Hip Hop. Old School Hip Hop brought the essence of having a good time until Melle Mel brought in the socio-political into his lyrics. From then on, Hip Hop was a social movement on top of being a form of feel good music. The Golden Era was born (from Melle Mel), which changed the world as we know it. It gave those that struggled in society, a voice.

A voice that many can say that was absent since the civil rights movement ended in the 1960s. You can also look at how media paints Hip Hop and see the fear in their eyes that is born out of the unknown of what would happen if Hip Hop came back in it's purest form, a socio-political and socio-economic commentary on life. With all the hate and racism that is being spread around, can you blame some of them? That is why it is our responsibility as representatives of the Hip Hop culture to show them there is nothing to fear. We bring peace and knowledge in this new revised movement of the voice of Hip Hop; she shall be heard again!

 


The Majic Show